Hello dear readers, July has come and gone. This month I was able to read 10 books. 2 books were advanced reader copy thanks to Netgalley, 5 were from one of my favorite Graphic Novel book series Locke and Key, books that have made my favorites list off books read in 2020 with The Sun Down Motel and Home Before Dark. I read one of the weirdest books ever called Antkind written by Charlie Kaufman. I can’t wait to share some of these mini reviews with you.
Five Star Reviews:
The Sun Down Motel by Simone St. James is a nonstop thriller that mixes elements of a ghost story with a mystery. The pace was nonstop from the beginning, and did not let up as it reached the climax. The story is really fun, I enjoyed finding out more about the ghosts and why they haunted the Sun Down Motel. The twists are plausible and well thought out to fool the audience. This book has been hyped recently, and I have to say I really enjoyed it, it doesn’t reinvent the genre, just tells a good story in a way that is easy to read and picture. I recently put this book as number 2 in my favorite of the year so far.
Home Before Dark by Riley Sager is a top-notch thriller wrapped in a ghost story. Home Before Dark reminded me of why I love Riley Sager so much, good writing that for the most part keeps me guessing while adding that level of believability, that it could happen that way. I felt like this book was a good return to form after I was let down by Lock Every Door which was released last year. Home After Dark offers two accounts one of a book written 25 years ago that is a nonfictional ghost story called House of Horrors that written by Ewan Holt that tells of the Baneberry House haunting of him and his family; the other is Maggie Holt that was five at the time of House of Horrors returning after 25 years to see what was real as her family won’t speak of the book.
Locke and Key Volume 5: Clockworks by Joe Hill and Art by Gabriel Rodriguez is the book that I have been waiting for finally getting a flashback to the past, one to colonial times where we get the origins of Keyhouse and the keys. There’s another flashback that will change everything you thought you knew about the villain, Zach/Dodge, and his origin. This book is easily my second favorite since the beginning. There’s a really good opening that had me hooked from the start. It wrapped up a lot of story lines and made complete sense. Stuff that was hinted at in the beginning got to become full circle. Almost every question I had was answered with great explanations.
Locke and Key Volume 6: Alpha and Omega by Joe Hill art by Gabriel Rodriguez. It’s the series finally, the Omega Key has been found and we know what opening that door will bring, creatures from another world that possess what they touch, but if the door is somehow closed, every creature has magic metal that can be used for more keys. I liked this one, a fitting ending; one of my favorite characters’ bit the dust. I do like that there’s a twist in Dodge’s end result, his plan wasn’t as obvious as an army; it’s more than that.
Four Star Reviews:
Wedge’s Gamble by Michael A. Stackpole takes the X-wing pilots out of the X-wing and has them go undercover on Coruscant. Wedge’s Gamble is book two in the X-wing Saga series that is a part of the Star Wars Legends series ( Star Wars Legends is a division that was considered cannon, but with The Force Awakens not following the trajectory of The established novels they were called Star Wars Legends). The last X-wing novel Rogue Squadron review, I used a Tom Cruise movie to describe it as Top Gun, this novel I would describe as Mission Impossible. Wedge’s Gamble refers to two things a plan to bring criminals from Black Sun to give the Imperials trouble on Coruscant and the undercover operation to take down the twin shields.
Locke and Key: Head Games Volume 2 by Joe Hill with Art done by Gabriel Rodríguez is a graphic novel that will open minds literally. This is my second time through the series, now that I know the ending, it fun piecing it together knowing all the character’s pasts and knowing all the keys and where they are hidden.
Locke and Key: Volume 3 Crown of Shadows by Joe Hill art done by Gabriel Rodríguez This is a smaller story filled with a really long action piece and the rest is filled with long conversations. There are three keys discovered in this one, the giant key which makes you turn into a giant, the crown of shadows key, which has a key go into a crown which lets you control shadows, and the fix it key which can fix broken items in a cupboard, but can not fix the dead.
Locke and Key Volume 4: Keys to the Kingdom by Joe Jill and art by Gabriel Rodriguez was the best story since the first volume, but the art was one of the weakest. This volume has guest artist Bill Watterson of Calvin and Hobbs do an issue, which is great at first I felt it lost the seriousness the previous books had set. I will say this has one of the most fulfilling climaxes I read in a long time, where everything goes to hell all at once and things are not the same
Three Star Reviews:
Antkind by Charlie Kaufman is a truly out of this world adventure about a film critic experiencing and trying to remember a film that last 30 days. It consumes him and his dreams as he figures out what was the film and what was his life. The book relies heavily on how film affects the watcher, and that the film can become a part of you. This book is deeply funny mind trip that only the writer of such films as Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind could write. This is Charlie Kaufman’s first novel and it is a doozy. This is the kind of novel that I think could be heavily discussed in college literature classes, because there’s a lot to explore and debate about, what is part of the film and what is a dream?
Two Star Reviews:
Mayhem by Estelle Laure is a send up to the 80’s with a story about feminism and powerful versus powerless. This story is a mash up of plots from 80’s and 90’s movie plots Lost Boys, Sleeping with the Enemy, and The Craft. The results should be amazing but instead a lot of formulaic plot with ideas on feminism throughout that only take root at the end.